#HARMONY KORINE FAVORITE FILMS SERIES#

Two recent films, Julien Donkey-Boy and Mister Lonely, contain some of the most elegant, lush images in memory, and yet Korine’s bleak vision of reality aches persistently at their core. His work is distinctly American in its subject matter, but has almost no relation to American cinema. In both his life and work, Korine ignores coherent narrative, sense, and the line between fiction and truth, all in the pursuit of a purer form of entertainment, an experience untethered to culture or trends. These anecdotes, whether true or whoppingly fat lies, are a part Harmony Korine’s unified vision. After directing Gummo, a dirty collage of a film about backwater life, he told interviewers that he hoped the film would play in shopping malls, that his next project was an adaptation of Joyce’s Ulysses starring Snoop Dogg (as Leopold Bloom), and that, during the shooting of the film, he had found “a piece of a guy’s shoulder in a pillowcase.” Later, he told Roger Ebert that he had lost touch with his father but had recently spotted him on Canal Street selling turtles. He is superior to Chaplin and Keaton.”Īfter some more digging around the internet, I found out that one of Godard's favorite movies is apparently Satyajit Ray's “ Charulata.After writing the screenplay for Kids at nineteen, Harmony Korine appeared on Late Night with David Letterman and talked about his father’s friendship with the legendary tap dancing duo the Nicholas Brothers. He wrote in Cahiers du Cinema, 'Jerry Lewis is the only American director who makes progressive films. Godard was infamously a Jerry Lewis fan, going so far as to compare Lewis to a painter rather than a director in a Dick Cavett interview. Godard added that he liked “the two minutes of American Beauty where it becomes a Cassavetes film.” Whatever that means. 'The real romantic isn't there,' he writes. Although, he also criticizes both films for being merely 'illustrations' of scripts. Later on, he offers some muted praise for Sam Mendes' “ American Beauty” ('not bad in certain respects'). In that same book, Godard admits to liking Shyamalan's “ The Sixth Sense,” of all things. Reading through The Future(s) of Film: Three Interviews 2000/01, Godard mentions that he 'liked quite a lot' Samira Makhmalbaf's “ The Apple.” Godard also expressed 'hate' for the films of Joel and Ethan Coen.

#HARMONY KORINE FAVORITE FILMS SERIES#

It's safe to assume Godard was a fan of Woody Allen as well, given that he cast Allen as himself in one of his movies In a “King Lear” cameo, Allen could be seen safety-pinning strips of film together, and then leaping into a pile of them.ĭuring a nine-film series Godard guest-programmed in Le Havre in 2004, around the time of the “Notre Musique” release, he had good things to say about Vincent Gallo’s “ The Brown Bunny”, and Alain Guiraudie's “ Sunshine for the Poor.” There was his adoration for Kiarostami, but other sources confirmed that he also praised older works from Coppola, De Palma, Scorsese (kind of), Warhol, Cassavetes, Emshwiller, Brakhage, Fassbinder, and even Korine. This piqued my curiosity, which directors and films, if any, had Godard admired in his later years. His criticism of David Lynch’s films had kind of sealed it for me. I had never really heard him praising anything from this era. In a recent post, I had the assumption that the late Jean-Luc Godard basically hated most 21st century films and filmmakers.

Harmony korine favorite films